composer & Performer


A classically trained singer, cabaret artist and composer, Anna Braithwaite's work is distinctly theatrical in nature, thought- provoking, humourous and unexpected.

Anna is delighted to have been selected for inclusion in the British Music Collection. This is a great resource for people interested in discovering the work of the UK's finest composers, past and present. Rebecca Collins has written a 'Spotlight' piece about Anna's work which you can view in full HERE.

"For me, one of the many strengths of Anna’s work is the method she uses to generate original compositions. In listening to each piece, her presence at each site and the time spent with members of the local community become clear."

If you are interested in hearing more about how Anna makes her work, please listen to the BBC Radio 3 broadcast of 'Look Up Doncaster' (scroll down) which includes interviews with Anna and other key players in the project or click below to hear her broadcast with Michael Betteridge on Resonance FM discussing verbatim technique in music.


Anna will be performing with the twenty strong ‘Free Range (improvisers’) Orchestra’ at Free Range, Garage Coffee, Canterbury at 8pm on Thurs 31st Oct.

Students of animation, illustration, fine art, architecture and design have been invited to work with the Free Range Orchestra to create scores, costumes, choreography and installations inspired by the spirit of the Bauhaus school. There will be a repeat of this performance at UCA Canterbury between 2-5pm on Fri. 1st Nov. as part of their Bauhaus Festival.



ONGOING PROJECTS - Composer-in-residence at chatham historic dockyard

Still from ‘Rope Cycle’ made in collaboration with Matt Rowe

Still from ‘Rope Cycle’ made in collaboration with Matt Rowe

I was delighted to find out that I have been selected for a 'Developing Your Creative Practice' grant by the Arts Council England. It allowed me to take on the role of composer-in-residence at Chatham Historic Dockyard, something I had wanted to do since my first visit there in 2017. In April 2019 I began researching new music and art works inspired by the amazing site and the people who worked there. I concentrated my research on the endless spaces and huge machinery of the Victorian Ropery, with particular focus on the widows who worked there. I recorded the sounds of the ropey machinery with Dr. Sean Williams of University of Kent which became the basis for much of the music I created in response to my research. The development of this research led to a collaborative film with artist Matt Rowe called ‘Rope Cycle’.

Still from ‘Subhuman’

Still from ‘Subhuman’

A short documentary about the making of ‘Subhuman’. Shot by Jim Lockey with additional footage shot by Matt Rowe. Performer: Luke Birch

I also spent time on the HM Submarine Ocelot experiencing the confined spaces of the boat and studying the cold war communication systems within. I interviewed ex-submariners from around the country who had worked on the Ocelot and other Oberon class vessels. I wove their interviews and ‘found sounds’ from the sub into a piece called ‘Subhuman’. Working with Matt Rowe and choreographer Luke Birch, I created a film to compliment the music, shot inside the submarine.

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Live Performance - Aidan Shepherd, Phil Self and I used recorded sounds of HMS Ocelot and live sounds (using contact mics to ‘play’ the interior of the submarine) in a series of improvised pieces which were performed to a rotating audience at the dockyard on Sept. 26th 2019. This interactive series of performances saw audience members punch holes in a music box card before they entered the submarine. This card was wound through a music box and the ‘music’ it created became the impetus for the ten minute improvisation. The audience then got to name the work at the end of the performance.

A short documentary about the filming of an improvised gig aboard the submarine HMS Ocelot. Shot by Jim Lockey with additional footage by Matt Rowe. Musicians: Aidan Shepherd, Phil Self and Anna Braithwaite

Supported by the Chatham Historic Dockyard Trust and the Master Ropemakers

Supported by the Chatham Historic Dockyard Trust and the Master Ropemakers



‘In The Loop’ is the latest manifestation of an ongoing, iterative project intended to continually metamorphose and develop in unexpected directions. It began in 2017 as a conceptual piece called ‘Chinese Whispers’, a collaborative work based on the game of the same name between the Montrose Composers’ Club (MCC), Myah Chun Grierson and Helen Lindon. The piece was performed at Free Range (Canterbury), Profound Sound (Folkestone) and Oscillate Festival (Turner Contemporary, Margate). Scroll down to see and hear ‘Chinese Whispers’.

 The next stage of this collaborative project (called 'In The Loop’) saw Helen Lindon and Anna Braithwaite combining spontaneous fine art with improvised music. It was premiered at Profound Sound festival (Folkestone) in February 2018. The MCC created tape loop recordings of instruments playing E flat and B flat held notes which, when relayed via a bank of cassette players produced a warped, unpredictable ‘drone’. Helen used this soundscape as a source of inspiration for a work using ink and brush, created live on a rotating canvas. As Helen’s piece unfolded, it acted as a graphic score for Anna to interpret using her voice. Her vocals then fed back into Helen's artwork, making it unclear who was leading whom.

 On June 1st ’18 Anna and Helen were invited to take the piece to the Rambert Studios to explore its potential with choreographer Luke Ahmet as part of the Rambert's 'Playground' scheme for professional artists.

 They are now working on ‘In the Loop’ with Kent based dancer/choreographer Luke Birch and have developed the piece further to include a live dance element which spontaneously interprets the music and live art in real time. With the tape loops as a driving force, all three artists react to each other live, creating multiple feedback loops until the process becomes completely egalitarian. They start to take on each others roles as artist, dancer, musician, until the boundaries between each discipline become completely blurred. The piece explores how it feels to work in symbiosis with the people around us and simultaneously fear being left ‘out of the loop’.



This track is a live recording of the newly formed female improvisation outfit 'Free Women' (Sylvia Hallett, Gemma Storr and Anna Braithwaite). This is the second set from their debut at the infamous experimental music night 'Free Range' in Canterbury, Kent, UK.

Anna Braithwaite, Gemma Storr and Sylvia Hallett

Anna Braithwaite, Gemma Storr and Sylvia Hallett

In March 2018 I was asked to be a part of the 'Free Range Band' for the Free Range winter season finale. It was a great experience to be part of a 20+ strong group of improvisors led by Sam Bailey, David Leahy and Kat Peddle. With the support of Free Range I am looking to recruit more women to the 'band' over the next year so that by the time the winter season finale '19 comes around there is a more even split of men and women.

Women are under represented in all aspects of the music industry. Like me, they often come late to composing having not had the encouragement or role models to make them look at careers in music other than teaching or performing. I am hoping to do my part to redress the balance by encouraging more women into improvisation and composition, starting in Kent.

Free Women is an opportunity for women in Kent to meet and explore improvisation together through a series of workshops in autumn 2019, culminating in a performance at Free Range in Canterbury, Kent. Details to follow.

I use improvisation as the engine for creating my music and hope that women (and those who identify as women) musicians, music therapists, teachers, spoken word artists, sound designers, electronic artists and more, will join me for a series of workshops led by inspirational women improvisors to explore their own creativity. If you would like to be a ‘Free Woman’ please get in touch and I will let you know more. If you would consider helping me to find funding or donating to this project please also get in touch at annabraithwaite@me.com.


PAST PROJECTS - MCC vs sacconi

Images of MCC by  andyaitchison.uk

Images of MCC by andyaitchison.uk

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2pm - 4.30pm
Customs House, Folkestone Harbour Arm, Kent. 

The Montrose Composers' Club collaborated with the Sacconi Quartet to present new works by the MCC alongside quartets by Haydn, Grieg and Korngold. I was delighted to have my small ensemble pieces ‘Washing Machine Head’ and ‘Deleric” performed by this internationally renown quartet, in the atmospheric surroundings of Customs House, ahead of their 12th annual Sacconi festival which took place across the town from the 17th-19th May. 

"A beautiful blend of sound ... highly engaging" THE TIMES

"Great power and sweetness ... intimate closeness." SPECTATOR



My first public performance on Accordion in Aidan Shepherd’s ‘Free Range’ (for synth and three accordions).

My first public performance on Accordion in Aidan Shepherd’s ‘Free Range’ (for synth and three accordions).

For the Montrose Composers’ Club’s latest concert, MCCV, MCC member Matt Brown suggested that we all write something new using wine glasses. I had carried out interviews for my theatre piece ‘Brainsong’ with people in recovery from addiction and felt that I had run out of time to really explore the text thoroughly in a musical context. I used this opportunity to go back to the material and wrote a very loose graphic score for the other three members of the MCC so they could accompany a mostly spoken text with tuned wine glasses. The sound produced by the wine glasses is circular in nature so I used a looper pedal with my vocals to match that quality. I like the way both of these sounds reflect the repetitive nature of addictive behavoirs and the language of the interviewee “the loop of thought that I get stuck on”. The text is the same for each performance but the delivery is improvised so it can keep a ‘natural’ quality.



Images by mistereb.com

For my fourth appearance at the annual experimental music festival ‘Profound Sound’ I performed a forty five minute set of free improvisation with Phil Self, Aidan Shepherd and Stuart Hughes. The event took place in the intimate surroundings of the Brewery Tap against the backdrop of Shred It! Collectives’ sound responsive light sculpture ‘Transpose’. For a taster, see a the short video below.



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‘Autumn Showers’

Anna Braithwaite and the other members of the Montrose Composers Club each wrote a piece to be performed against the backdrop of 15 tape cassette players, all playing specially prepared tape loops for the groups' fourth concert 'MCCIV' at Profound Sound in Feb. '18.

As well as premiering 'In the Loop' (for details read 'current projects' above) Anna also presented extracts from her recent 'gig lecture' piece 'Fanfare For A Seaside Town' and a new collaboration with musician Craig Gell and MCC member Phil Self interpreting a specially created graphic score and soundscape by sound artist Liz Hayward called 'Autumn Showers'.

The MCC were also invited back to Canterbury's best experimental music night, Free Range, to perform pieces from MCCIV.

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Thank you to our sponsors.

Thank you to our sponsors.




EVENT: Exhibition and 30 minute gig lecture (followed by an informal Q&A) entitled 'Fanfare for A Seaside Town'. Part of a series of events in Customs House: Urban Room Folkestone, curated by artists  for Folkestone Triennial. 

DATE: Friday 13th Oct. 6pm and Saturday 14th Oct. 11am, 2pm and 6pm. 

VENUE: Customs House: Urban Room Folkestone on Folkestone Harbour Arm, CT20 1QH.

As part of a year long joint project, researcher Dr. Sophia Labadi, artist Andy Tuohy and composer/performer Anna Braithwaite  invited Folkestone residents to make their voices heard on the subject of Folkestone’s future, focussing on the social impact of regeneration. This exhibition displayed artwork inspired by the themes which arose during a series of workshops and interviews with the local community and featured live music and analysis presented together in the form of an innovative ‘gig lecture’.


Kindly supported by:

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Concept - Anna Braithwaite, Graphic score by Myah Chun Grierson, music created and performed by members of the Montrose Composers’ Club, 'action artist' Helen Lindon.
A collaborative project based on the game of the same name. Anna Braithwaite invited Myah Chun Grierson to create a graphic score inspired by a text/artwork/object of her choosing. She responded to Amanda Gefter’s article written for BBC Earth, ‘The Strange Fate of a Person Falling into a Black Hole’. Myah presented the MCC with her graphic score from which they improvised a musical reaction without knowing the source material. The ‘whisper’ was passed on again during performances at Free Range 02/02/17, Profound Sound 03/02/17 and Turner Contemporary 03/06/17 to fine artist, Helen Lindon, who reacted 'live' to the improvisation she heard.

"What surprised me was how little each 'whisper' changed from the original text, I think this is due to the sensitivity and responsiveness of the artists involved. There are discussions already happening about how this project can be expanded and explored further, please watch this space for news of how Chinese Whispers is developing." Anna Braithwaite

Helen Lindon, Charcoal on Arches paper, 110cm x 110cm, 5 mins

Helen Lindon, Charcoal on Arches paper, 110cm x 110cm, 5 mins



Anna and the other members of the Montrose Composers' Club were busy at the start of this year preparing new works for their first concert at Free Range in Canterbury on Feb. 2nd 2017 and their return to the Profound Sound festival on 3rd Feb. 2017 at Folkestone's Brewery Tap. See the MCC website for details. Anna had two new works premiered, Chinese Whispers and The Wooden Knight.


As part of ongoing experiments with collaborative writing Anna recently finished composing her first piece with Aidan Shepherd of the Montrose Composers' Club. Aidan gave the piece it’s name, 'The Wooden Knight' and wrote the first eight bars but only passed on the last two bars to Anna. She then added the next eight bars but only revealed the last two to Aidan. The process continued with each composer adding to what they were sent without knowing what came before, creating a compositional game of 'head, body, legs'. They did not discuss the piece during this process which happened remotely with communication via email. How does this modern way of working influence the outcome? Does a lack of personal communication create a disjointed clash of ideas or is it possible to make something bigger than the sum of its parts? Both composers found it an interesting methodology and have had their eyes opened to new ways of working.




Anna was selected to be part of the Sound and Music Composer/Curator scheme 2015/16 which saw her and collaborator Michael Betteridge write and produce an evening of verbatim music theatre. The project, entitled 'In Their Own Words' (ITOW), had its premiere in Manchester on Aug. 24th 2016 and received further performances in Folkestone Quarterhouse and Hackney Showroom. For more details please go to the ITOW website.

To create her new work, 'Eastbrooke's Adaptation', Anna used text taken from interviews she conducted with a young woman living with early onset dementia and combined them with questions and tasks which form the Addenbrooke's cognitive examination. 

"I liked the idea of juxtaposing my subject's exuberant conversational style with the bald and simple language used in the Addenbrooke's tests. The questions seem almost comically simple when held up against the complex real life experiences of the people it tries to assess."

The piece is written for vocalist Rebecca Askew, percussionist Molly Lopresti and clarinettist Kat Browning and has been staged by director Nick Blackburn. CLICK HERE to view a video if the whole piece.



Graphic Design by  Andy Tuohy , image of Anna by  Andrew Aitchison

Graphic Design by Andy Tuohy, image of Anna by Andrew Aitchison

'Brainsong' promo

In November 2015, Anna began her residency at Quarterhouse, Folkestone, with a 'Musicians’ Meet-up' for local instrumentalists, singers and composers. They workshopped some new material Anna had written, which she went on to develop during the rest of her residency. During spring 2016 Anna worked with director Emma Bernard and performers David Insua-Cao, Katy Rowe, Aidan Shepherd, Gemma Storr, Nicola Burnett Smith and Zoe Aldrich to create new material about neurodiversity through a process of improvisation and collaboration. 

The project culminated in a 'scratch' performance of the work they had created entitled 'Brainsong' at the Quarterhouse 'Normal? Festival of the Brain' 2016 on Saturday 28th May. 

This project was supported using public funding by Arts Council England and the Bliss Trust, Quarterhouse Folkestone and UCA.

The making of 'Brainsong'




In October 2015, Anna started a commission for Music 4 Wellbeing to write a piece for three choirs of people living with dementia and their carers, as part of their project ‘Carers Create’. She ran sessions in Margate, Herne Bay and Canterbury at which she collected research and workshopped ideas with the singers. Choir members also enjoyed a song-writing workshop in which they helped Anna to create musical content for the commission. The choral piece with flute, guitar and accordion accompaniment entitled 'Tea and Symphony'  received it's first performance by the carers create choirs and singers from Sandgate Primary School at: Quarterhouse Normal? Festival of the Brain on Friday 27th May 2016.

The performance was part of a practical presentation about work that is taking place in creativity and dementia with presentations by Bright Shadow, Edith Tankus (The Archivists), Living Words, Sidney de Haan Research Centre and local support group the Sunshiners.

Anna and the singers of the Carers Create project appeared on BBC1 on the 19th Sept. talking about their project together. You can catch the item on iplayer for 30 days by clicking HERE.



Images -  Andrew Aitchison


Anna founded the Montrose Composers' Club in September 2015 with local composers Aidan Shepherd, Ian Fleming, Matthew Brown and Phil Self. The collective's debut concert 'MCCI' took place on the 12th February 2016 at The Brewery Tap gallery space, Folkestone, Kent. It contained premieres of seven new pieces and was part of the 'Profound Sound' festival, a weekend of new music and sound art (co-curated by Folkestone Quarterhouse and Folkestone Fringe).

For this debut concert Anna created a new work for piano, cello and tenor sax called 'Fait Accompli'. The music accompanies a single performer operating a hand wound conveyor belt along which a collection of glass ornaments travels slowly until they fall off the end of the belt and inevitably smash in the bucket below. This piece looks at mortality and the absurdity of human existence.

The MCC take part in the Fun Palace with their second concert MCCII

On October 2nd 2016 the members of the Montrose Composers' Club produced their secondconcert MCCII in The Waiting Room on Folkestone Harbour Arm. It saw the group write for a string quartet formed especially for the event, voice,  hand bells and a host of other instruments. The informal performance was part of the Folkestone Fun Palace festival and included a chance for the audience to perform with the MCC and improvise some new music.


To find out more about what the MCC are up to please visit their website.



Anna was selected to take part in the 2014/15 Adopt A Composer scheme which pairs amateur choirs, orchestras, and ensembles with a composer for one year. It is funded by the PRS for Music Foundation and run by Making Music and Sound and Music. She was paired with the Quirky Choir of Doncaster and wrote a fourteen minute piece which they premiered on 20th June 2015 in Doncaster's market and Mansion House. It was recorded for broadcast by BBC Radio 3 (listen below).

"Anna has been a joy to work with. She has been sensitive to the unique nature of the choir and has written a piece that stretches them but also celebrates who they are. She has involved them in the writing from the start and has incorporated their ideas into the final piece. We are very excited about the performance and the prospect of hearing ourselves on national radio." Janet Wood, Leader of the Quirky Choir

To find out more about the project please read Anna's blog.



Anna was commissioned by Diane Dever and Jonathan Wright to 'animate' one of their 'Pent House' sculptures for their entrance into the Folkestone Artworks permanent collection on 21st June 2015. What she created was a ten minute performance, inside the water tower structure, of original music and words inspired by the sculpture and the Pent Stream from which the piece takes its name. Here is a video made by Dominic Pillai which combines footage of the live performance and a studio shoot.


Anna wrote the words and music for 'Dr. Snowdrop', a mini operetta based upon a story told by Alphonse Allais at the Chat Noir Cabaret in 1880s Paris. It takes inspiration from the music of the 'Belle Epoque' and the performers at the Chat Noir such as Eric Satie. It was created for a show called The Entire History of Cabaret, which premiered at the Assembly Rooms as part of the Edinburgh Festival Fringe and toured theatres across the UK including the Riverside Studios, London.

“The show works wonderfully well. Whether we're in Twenties Berlin, Belle Époque Paris or, God help us, on Britain's Got Talent, the girls shine, showing they can handle a Cotton Club hipshaker as easily as a French chamber piece involving the tragic, lovelorn Dr Snowdrop. There is striking new music by Anna and Tanya themselves.... join them for a show that's unique. Because on the Fringe, that's gold.”
Scotsman ****

“The deliciously dark 'The Tragic Marriage of Dr Snowdrop' is a treat.”
Edfest Magazine

“A slight essence of Rocky Horror and a whole lot of cheek thrown in for good measure. Verbal warnings of sights so shocking that they may cause us to “grab our Karen Miller handbags in fear” are met with pearls of raucous laughter.”

Chamber Music

Cabin Cafe Cantata

A commission for the Folkestone Fringe, this site specific piece premiered at the Cabin Cafe, Folkestone in October 2014. This is a live recording of that performance. Baritone and Violin - Alistair Bamford, Mezzo Soprano - Anna Braithwaite, Viola - Matthew Brown, Clarinet - Daniela Gajdosova, Violin - Karen Jolliffe, Accordion / Keyboard / Percussion - Aidan Shepherd, conducted by Tom Kilworth.

Super Obsessive

Written for Alto solo, Soprano, Mezzo-soprano and Countertenor trio, Electric Bass, Trombone, Violin I and II, Cello, Drum Kit and Dustpans & Brushes. It was premiered at the Plural Muses concerts at St Michael's Church, Camden in August 2012.

Quintet for Biscuit

Written for the Bergersen Quartet and Nicola Burnett Smith (Bb Clarinet & Vocals), plus Kazoos. The lyrics were created from material provided by Jess Thom, A.K.A. Touretteshero. This piece was performed for the first time in October 2012 at St Bartholomew the Great Church, Smithfield, London as part of the SQ+ project (funded by PRSF).